Here are some films to look forward to for end of 2021

Everybody likes going to the movies — or, at least if you take my opinion as an indisputable fact (which you should) — going to the movies is a great experience. And whether you’re a sucker for a good biopic or ready to see the next big blockbuster, there are some seriously exciting movies still left to premiere in the final stretch of 2021. Here’s what I’m looking forward to most:

Denis ​​Villeneuve's “Dune” (Oct. 21)

Calling all science fiction buffs and Timothée Chalamet stans, a Venn diagram of which I’m sure at least one person out there is in the middle of. This adaptation of the 1965 novel by Frank Herbert has quickly become a critical darling since its release, and is one of the most audience anticipated films of 2021.

It’ll be released on HBO Max on the same day it releases in theatres, much to Villeneuve’s chagrin, but is worth seeing in theatres, as it’s a sci-fi epic with a score by none other than the esteemed Hans Zimmer, and a stacked cast including Chalamet, Zendaya, Oscar Isaac, Jason Momoa and Rebecca Ferguson, among other iconic names. What’s not to like? 

Wes Anderson's “The French Dispatch” (Oct. 22)

The Venn diagram of Chalamet fans and those obsessed with Anderson’s directorial aesthetic choices is probably bigger — as is my excitement for this film. Big names like Bill Murray, Tilda Swinton and Adrien Brody are all in the main cast.

Part of its appeal for The Daily Targum readers? Obviously, the fact that Anderson called it a “love letter to journalists.” If you’re less into blockbusters and more into artsy movies, even ones with famed directors and casts rather than going full indie, “The French Dispatch” might be your pick to see exclusively in theatres. 

Edgar Wright's “Last Night in Soho”(Oct. 29) 

Rounding out the trio of October releases, “Last Night in Soho” shockingly does not have Chalamet. What it does have? Anya Taylor-Joy, the current it-girl of the film industry, and fellow up-and-comer Thomasin McKenzie of “Jojo Rabbit” acclaim.

While “Last Night in Soho” has had some mixed reception, even negative reviews can agree that it’s visually stunning and an interesting watch — which is pretty much all you can ask of super-stylized horror movies like this. Edgar Wright rarely walks out of creating a film without a hit on his hands, and you can expect “Last Night in Soho” to be the same. 

Chloé Zhao's “Eternals” (Nov. 5) 

Confession time: I am decidedly not a Marvel fan, so you won’t see the latest Spiderman installation on this list. But, I historically have enjoyed more “stand-alone” films by Marvel Studios (hi “Black Panther” and “Ant-Man”) so it’s safe to say despite the connection to other movies, “Eternals” is on my to watch list. The biggest draw for me? The fact that Zhao said no to green screen and pushed to film on location, leading to some gorgeous visuals already on view in the trailer. That’s something to see on the big screen. 

Reinaldo Marcus Green's “King Richard” (Nov. 19)

Even if you don’t follow sports, chances are you know who Venus and Serena Williams are. And if you don’t, crawl out of the rock you’re under and check out some of the greatest athletes of all time — and certainly the best tennis players.

“King Richard” follows the story of their childhoods, through the lens of their intense and sports-focused father, Richard. The movie has gotten good reviews, but the entire cast has been praised universally, especially Will Smith as Richard. Other cast members receiving their dues include Aunjanue Ellis and Jon Bernthal — not to mention the movie has intense Oscar buzz. 

Steven Spielberg's “West Side Story” (Dec. 10)

Musical nerds can rejoice that their only option this year isn’t the critically panned “Dear Evan Hansen” as far as big budget movie musical adaptations go. There’s first and foremost that it is a Spielberg movie, but also that newcomer and New Jersey native Rachel Zegler is sure to stun in her feature film debut as Maria.

While reviews for “West Side Story” aren’t in yet, the trailer seems promising, and anyone who’s a fan of the original Stephen Sondheim work should be sure to keep an eye out for tickets to the much more affordable option than any Broadway revival would be.